© Nino Del Padre. All Rights Reserved.
Nino Del Padre first began his career as a Designer / Director of Photography at the age of twenty in 1991, shooting video of weddings and corporate events, Del Padre experimented with creating short movies and music video’s in the early 1990′s and started doing work as an extra in films to gain experience from Hollywood crews and directors. Read More
Nino Del Padre, a cinematographer who’s been shooting music videos, commercials, shorts, corporate and promotional spots professionally for over twenty years. Clients include Aimee Allen, LEGO, Deftones, NASA, Tama Drums, NetFlix, Ibanez, Alice In Chains…etc. Learning through hands on experience and devotion to the art, Del Padre continuously strives to push beyond his own boundaries.
Twenty years of experience in working with diverse groups in different media environment design, producing creative materials and music video production in multiple formats for mass media, advertising, information technology and entertainment industries. His specialty is a unique mix of stylized narrative approaches blended with a deep understanding of the post production process, 3D animation and interactive media. Del Padre balances shooting music videos and commercial work, using his diverse skill set to maximize short form campaigns.
Although Del Padre has always put technology second to story telling, it would be the RED ONE Digital Cinema Camera that would help define him as a true innovator. The RED ONE Digital Cinema Camera, is the worlds first high end camera that shoots in a format that rivals 35mm film. The RED ONE camera shoots in 4K, a digital format that is four times the resolution of 1080P high definition video. Most broadcast music videos and feature films are shot with this technology.
Del Padre was an early adopter of the technology and has recently reserved the next generation cinema camera from Red Epic. The name is not an overstatement. The much anticipated addition to the RED family is the answer to the professional’s wildest dreams and exists as the most sophisticated and capable camera ever engineered and built. In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the world, enabling EPIC to capture up to 300 frames per second, each frame at full 14MP resolution.
Winner of many awards both local and global such as several Telly Awards, Addy Awards, The Los Angeles Movie Awards being named “Top 100 Producers” by Studio Monthly magazine’s rundown for three consecutive years and being nominated by Rob Burgess of Macromedia (Adobe) for 2003 Computerworld Honors Collection for the NASA STS 107 project “Space Research and You”. The case study is archived in 30 countries as a leading example of how IT is used in Media, Arts & Entertainment to benefit society. Del Padre and his company have also graced the covers of such national magazines such as AV Video Multimedia Producer and MX Developers Journal.
Send Nino an e-mail and he will get back to you in 24 hours.
14 Megapixel Mysterium-X
Full Pixel Array 5120 (h) x 2700 (v)
Dynamic Range 18 Stops
5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
Project Frame Rates:
2. Lens Mounts
Titanium CANON mount
Red PrLCD Cable (2 ft)
ZacutZAmerican V3 Large (12 inch) Articulating Arm
ZacutZicroMount III (mounted tback of monitor)
Micro-Mount (mounts tZacutArticulating Arm)
Side SSD Module
RED TOUCH 5.0″ LCD
PRO BATTERY MODULE (QUAD)
DSMC Side Handle
Redrock Follow Focus V2 with Quick Release Clamp
Follow Focus 19mm Adapter
Wide angle shade
One 16:9 interchangeable matte
Two rotating filter stages
Two dual purpose filter trays supporting 4×4″ and 4×5.65″ filters
15mm lightweight configuration swing-away clamp with vertical riser adjustment
4 rubber donuts for light-blocking fit on lenses (51mm, 64mm, 76mm, 102mm)
2 adjustable side wings
One top eyebrow (French flag)
flag mounting hardware
19mm/15mm Swing Away Arm (Compatible with cameras like the RED ONE)
4×5.6 Matte Box Filters
Circular Polarizing Filter
0.3 Neutral Density (ND) Filter
0.6 Neutral Density (ND) Filter
0.9 Neutral Density (ND) Filter
1.2 Neutral Density (ND) HOT MIRROR Filter
0.6 Neutral Density (ND) Graduated Filter
0.9 Neutral Density (ND) Graduated Filter